Louisa May Alcott’s beloved novel is brought to glorious musical life in this tale of the indomitable March girls of Concord, Massachusetts. In a time of great social upheaval, Jo, Meg, Amy, and Beth grow from childhood to womanhood through the trials, tragedies, and triumphs of America divided by Civil War. This show is now available worldwide.
Louisa May Alcott’s beloved novel is brought to glorious musical life in this tale of the indomitable March girls of Concord, Massachusetts. In a time of great social upheaval, Jo, Meg, Amy, and Beth grow from childhood to womanhood through the trials, tragedies, and triumphs of America divided by Civil War.
Music by KIM OLER Lyrics by ALISON HUBBARD Book by SEAN HARTLEY
CAST OF CHARACTERS NOTE: All of the characters age about seven years from the first scene through the end of the play.
JO: 16 at opening: Passionate and funny – a tomboy with great energy, ambition and imagination. G-E: belt with good head mix.
MEG: 17 at opening: A bit of a Cinderella, sweet and dreamy. Ab-Eb, Lyric soprano/mezzo (Can double as ensemble in Act 2 for smaller casts)
BETH: 15 at opening: Gentle and shy, but with a sense of humor. A-Eb: light alto with good head mix.
AMY 12 at opening: A comically needy and self-centered girl who grows into a smart, elegant, and flirtatious young lady. Bb-E: Young comic mezzo.
JOHN BROOKE: Early 20s at opening: A bookish, slightly nerdy tutor, with an inner strength. A-F: Baritone. (Can double as ensemble in Act 2 for smaller casts)
LAURIE 17 at opening: Young, passionate, and charming, full of energy and enthusiasm. Bb-Gb: Young tenor/High baritone.
MARMEE: A mature woman with intelligence, humor and warmth. G-Eb: Mature alto with head mix if possible.
AUNT MARCH: A comically patrician battleaxe. A-D: Mature comic alto. (Can double as ensemble in Act 2 for smaller casts)
FATHER: A gently eccentric clergyman with a twinkle in his eye. D-D: Limited range baritone. (Can double as ensemble in both acts for smaller casts)
PROFESSOR FRITZ BHAER: A proper, passionate scholar with self-deprecating charm.
Bb-Eb: Baritone. (Can double as ensemble in Act 1 for smaller casts)
MR. LAURENCE – A gruff and haughty gentleman of business, with a surprisingly soft heart. C-D: Limited range baritone. (Can double as ensemble in Act 2 for smaller casts)
MRS. KIRKE – A lively and good-natured landlady. (Can double as ensemble in both acts for smaller casts)
ENSEMBLE: Guests at a Concord party, Guests at Meg’s wedding, pushy New Yorkers on the street and Guests at a Paris party. Preferably 8 singers (2 to a part SATB), or more if desired – mostly young people.
At least one female soprano swing is recommended for balance in smaller casts.
Reed 1
Reed 2
Piano-Conductor (included in Rehearsal Set)
Percussion
Violin 1
Violin 2
Viola
Cello
Bass
Please note, the Reed parts require each player to play several instruments. If your Reed players are not experienced in this method, you may wish to order additional Reed books to divide the parts among multiple players.