Breaking Up Is Hard to Do

Breaking Up Is Hard to Do

Set at a Catskills resort in 1960, this is the sweetly comic story of Lois and Marge, two friends from Brooklyn in search of good times and romance over one wild Labor Day weekend. The score showcases 18 Neil Sedaka classics, including “Where the Boys Are”, “Sweet Sixteen”, “Calendar Girl”, “Love Will Keep Us Together”, and of course, the chart-topping title song.

Marge and her stagestruck best friend Lois arrive at Esther’s Paradise Resort in the Catskills on Labor Day Weekend in 1960, on a vacation that was intended to be Marge’s honeymoon — until the groom left her at the altar. Lois attempts to console Marge by setting her up with the resort’s handsome, self-obsessed singer DelDelmonaco. But her plans backfire when Del mistakenly assumes that Marge’s father can further his ambitions to become the next teen heartthrob on American Bandstand. Gazing forlornly at Marge from the wings is geekish cabana boy and aspiring songwriter Gabe. When he isn’t entertaining the guests with classic, but still comical Borscht Belt shtick, house comic Harvey secretly carries a torch for widowed resort owner Esther, who is more preoccupied trying to keep her resort open. Eighteen Sedaka hits are incorporated into these doings, complemented by an onstage five-piece band and optional backup singers.

BREAKING UP IS HARD TO DO Featuring the songs of Neil Sedaka Book by ERIK JACKSON and BEN H. WINTERS Music by NEIL SEDAKA Lyrics by NEIL SEDAKA, HOWARD GREENFIELD, and PHILIP CODY Orchestrations/Vocal Arrangements by Tom Kitt Conceived by Marsh Hanson and Gordon Greenberg Creative Consultation by Neil Sedaka

MARGE GELMAN (mid to late 20’s; mezzo soprano, comfortable to an E and possibly beyond, preferably a legit sound): Abandoned at the altar, Marge is an aspiring dentist from Brooklyn who finds herself in the Catskills on what would have been her honeymoon weekend. (Think Jennifer Grey in DIRTY DANCING) Duped into falling for the suave band leader, she ultimately finds self-esteem, learns the value of honesty and friendship and finds love where she least expected it.

LOIS WARNER (mid to late 20’s; alto with some mezzo soprano ability, comfortable to a C and possibly beyond, preferably a pop sound): An aspiring nightclub singer, Lois lives her life as if in a Betty Grable movie. She brings her best friend Marge up from Brooklyn to the Catskills for Labor Day Weekend. In trying to help her friend Marge recover from heartbreak, she inadvertently puts her in the line of fire with Del, the hotel’s suave but manipulative bandleader. With a Marilyn Monroe simplicity, Lois is a sweet young girl with more heart than brainpower.

DEL DELMONACO (late 20’s to 30’s; tenor, comfortable to an A—the higher the better): An Elvis wannabe, Del is not the brightest bulb on the tree. (Think Conrad Birdie or Joey from FRIENDS). Del will do anything to get ahead, including misleading Marge into thinking he loves her and stealing his cousin Gabe’s songs for his own use.

GABE (mid to late 20’s; tenor, Bb-C range): The clumsy, brainy and terribly shy Guy Friday at the hotel, Gabe is on a fast track to joining his father’s orthodontia practice. Lacking the self-confidence to perform his own music, Gabe he is secretly the songwriting genius behind the music Del claims as his own. When Gabe meets Marge, he is compelled to take action to win her heart and, ultimately, to reveal himself as the true musician, performing his own songs in front of the whole resort.

ESTHER (50’s to 60’s; alto, comfortable to a C, or at least a Bb, but should really be rich in her low to mid register): The owner of the mid-size hotel named after her (Esther’s Paradise), Esther is a survivor. Since the death of her husband, she has single-handedly kept the hotel afloat using crafty solutions, boundless energy and creativity to keep guests happy. She is fiercely independent, refusing help or support from anyone, and she’s always there with a quip or smart remark.

HARVEY (50’s to 60’s; baritone, should have range to an F# or a G): The resident “tummler” (comedian/social director) at Esther’s Paradise, Harvey is old-school Catskills. He is all about the punch line (and the set-up). A confirmed bachelor, Harvey spends most of his life cracking wise and avoiding any show if genuine emotion or vulnerability. When he witnesses the extreme lengths to which Marge will go to make love work for her again, he is inspired to take a leap of faith with Esther, the one person who truly appreciates the man behind the jokes.

THE BAND (Piano, Bass, Guitar, Drums): The band is visible onstage as the “House Band” at Ester’s Paradise Resort, and also sings backup (poorly at times) as needed.

4 Musicians

Piano/Conductor

Guitar (Acoustic, Electric)

Bass (Acoustic, Electric)

Drums

Photo Gallery

BREAKING UP IS HARD TO DO - Prop List

BREAKING UP IS HARD TO DO Prop List -note card -hand-held microphone -large roll of toilet paper -corned beef sandwich -bracelet (broken/repaired) -Western Union Telegram -ladder -lightbulb -diary/pen -pen -Indian headdress -bundle of logs -guitar -whiskey in drinking glass -cigar -accounting ledger -rubber chicken wrapped as a gift -first aid spray/bandages -shoe with breakable/broken heel -juggling balls -lyric sheet -prop trunk -plastic bouquet -suitcase – 2 matching jackets -check ($8,000) If you would like to add to this list, e-mail licensing@theatricalrights.com

REHEARSAL & PERFORMANCE TRACKS now available!

Show|Ready™ and Stage|Tracks™ provided by ROCS (Right on Cue Services) are now available for BREAKING UP IS HARD TO DO. With Show|Ready™, you can virtually send your Musical Director home with each and every member of your cast!  Show|Ready allows you to play a customizable rehearsal track of your show, complete with individual vocal parts and all dance breaks on a Mac, PC, and soon on your iOS device. Your Musical Director simply uploads any edits made at that day’s rehearsal and your cast can access and download the newest version with all of the new changes. This enables your entire cast to rehearse correctly from the beginning, saving you valuable time and effort. With an intuitive interface, Show|Ready gives you complete control over which parts you hear, and lets you modify the key or tempo and cut, vamp, or repeat measures as you please. All shows include the piano, bass, drum, all vocal parts, and click track as well as a sheet music viewer that automatically displays the piano/conductor score and changes the page as you listen and navigate throughout the show. http://www.trwmusicals.com/showlready%E2%84%A2.php Stage|Tracks™ provides quality performance tracks, edited to integrate your individual changes from Show|Ready. With the best sounding tracks at an affordable price, Stage|Tracks will greatly enhance your production if you do not have live musicians to accompany the show. However, you should be advised that while Stage|Tracks provides quality performance tracks of the full orchestration, it is not recommended to be used alongside live musicians.  Stage|Tracks is only for performance and is sent approximately 3-4 weeks prior to the opening date of your production.  Stage|Tracks is currently only available on an iOS device, with Mac and PC coming soon. Listen to a StageTracks demo from BREAKING UP IS HARD TO DO here! http://www.rightoncueservices.com/mp3/breaking_up_demo.mp3 For pricing information and to order Show|Ready™ or Stage|Tracks™ please call: 646-736-3232 or email: licensing@theatricalrights.com   For the Show|Ready™ & Stage|Tracks™ apps, visit the iTunes Store here: https://itunes.apple.com/us/artist/right-on-cue-services-llc/id543773969  **A valid license of Show|Ready™ and Stage|Tracks™ must be purchased first before you can use the mobile apps.**