Gravity

GRAVITY takes place in the rooms of Isaac Newton at Cambridge University in September, 1693, when Newton went through what subsequent biographers would call a “discomfiture of the mind.” Newton’s tragic past, conflicted sexuality, heretical religious beliefs, and alchemical experimentation had led him to lock himself away in his rooms in an attempt to complete his greatest work. It features Newton’s friend, the philosopher John Locke, and Newton’s nemesis, Dr. Robert Hooke, a brilliant polymath and devoted ladies’ man, whose jealousy of Newton unhinged him from time to time. Finally, the play features the mysterious woman with whom Newton became “embroiled.”

The Late Great Henry Boyle

Henry Boyle is a shy, reclusive Professor of Medieval Studies whose life falls apart when his wife divorces him. At the urging of a colleague who encourages him to try something different, Henry begins drinking absinthe and writes a best-selling book which transforms him into a pop-culture celebrity. As he visibly disintegrates in the public eye, his popularity soars as people anticipate a Van Gogh/Kurt Cobain explosion. Henry finds an ally in a castle-hunting waitress who helps him realize that his only chance at salvation is to become a nonentity again, but how is that possible in a celebrity-crazed culture?

Wells and Welles

In October of 1940, two years after Orson Welles’ infamous War of the Worlds radio broadcast, Orson happened to be at the same hotel as H.G. Wells in San Antonio, Texas, on the same day. Orson is desperately trying to raise money to finish shooting Citizen Kane, and comes to H.G.’s room to ask a favor for his PR. But H.G. is still furious over Orson’s prank. Orson is 25 years old, H.G. is 75. Two men at the beginning and end of their careers battle it out. Based on true events.

Mothers

Three moms, a stay-at-home dad, and a nanny watch their kids play at Mommy-Baby Meetup. One mom is the queen bee and one is here to shake things up. The dad just wants to fit in, and the nanny doesn’t say a word. When catastrophe comes, the five of them have to figure out how to survive a war and each other. MOTHERS examines the primal heartache of raising children in a disintegrating world.

Forgiveness

Who would you forgive?

Minnesota convicts who have served their time are given the opportunity after five years to apply for “Forgiveness.” Appearing in front of the Governor and his panel, they can explain, in ten minutes set by a timer, the reasons they want or deserve it. If they receive forgiveness, their rights as a citizen are restored: the ability to vote, possess firearms, and freedom to travel throughout the U.S. and abroad. They no longer have to identify themselves as former convicts, which makes a huge difference in their abilities to get better jobs and housing.

Your decision?
The audience votes to forgive or not forgive the four applicants.

Diversion

Emilia is a devoted nurse in an ICU unit, highly regarded by her boss, Bess, and her peers: Amy, Mike, and the new hire Mandy, who Emilia has taken under her wing. When it’s discovered that someone on the unit is stealing medicine, the nurses are unsettled, particularly when an outsider shows up, effectively placing them all under a microscope. When the culprit is finally revealed, the nurses must fight to save themselves and the integrity of the unit.

right before I go: School Edition

Stan Zimmerman (The Golden Girls, Roseanne, Gilmore Girls) brings to life the last words written in letters by individuals lost to suicide—including celebrities, veterans, kids that were bullied, LGBTQ, and the clinically depressed—and those who have survived suicide attempts. Since its acclaimed first performance at the Hollywood Fringe Festival in 2015, the play has traveled across the country, raising awareness and offering hope for suicide prevention.

Mrs. Harrison

At their 10-year college reunion, Aisha and Holly meet by chance. Aisha is a Black, successful playwright; Holly is a white, struggling stand-up comedian. Aisha’s most successful play bears a striking resemblance to a tragic event in Holly’s life. Is it a coincidence or is it theft? They both have a story that they’ve been telling themselves about what happened years ago and they’re both willing to fight for the truth in the present.

The Unbelieving

We often see stories of people who go from non-believer to believer. We seldom see the opposite journey. The Unbelieving takes a penetrating look into the lives of practicing clergy members—Mormons, Catholics, Jews, Episcopalians, Muslims, Fundamentalists—who have stopped believing in God. Using their actual words, obtained during a groundbreaking study by philosopher Daniel C. Dennett and qualitative researcher Linda LaScola, the play explores the struggles, courage, and great humor of these “unbelievers” as they face the hardest decision of their lives—whether to continue living in secret or to risk everything by telling the truth.

The Scarlet Letter

A visceral exploration of “original sin,” Kate Hamill’s highly-theatrical, vital reimagining of The Scarlet Letter follows strong-willed, intelligent Hester Prynne as she tries to find her own moral compass and raise her daughter in a society that harshly punishes women for independent thought, sexuality, or defiance. Hester and the other Massachusetts Bay colonists—including her guilt-ridden lover and her estranged husband—struggle with their own deeply-ingrained shame, as they debate what transgressions might truly be “unforgivable”… and learn how violence, superstition, repression, and uncomfortable truths may shape the land that will become America.