Interceptions: Life After the Tigers

Ten years after a vicious, and ultimately tragic, high school football hazing in the small Texas Panhandle town of Calhoun, a social media frenzy rips open old wounds, pitting brother against brother and pulling those involved back together, whether they like it or not. When truths are exposed, things finally begin to make sense, allowing some to heal, while others would rather keep buried what has long been buried.

The Heart Sellers

Jane and Luna run into each other in the grocery store on Thanksgiving in 1973 and discover they have much in common: they’re both 23, recent Asian immigrants, homesick and lonely with hardworking absentee husbands, and adjusting to a new country surprisingly filled with as much political uncertainty as the places they’ve left. Over a bottle of wine (or two) and a questionable frozen turkey, they dream of Disneyland, learning to drive, and an unknowable future as they share their hopes and fears in making a new home in a new reality.

An Eloquent Fugitive Slave Flees to Ireland

Inspired by his 1845 trip to Ireland. AN ELOQUENT FUGITIVE SLAVE FLEES TO IRELAND is a fictionized account of Frederick Douglass’ voyage across the Atlantic Ocean on the steamship Cambria. Exploring themes of racism, sexism, and freedom, AN ELOQUENT FUGITIVE SLAVE FLEES TO IRELAND uses dialogue sprinkled with rap to give enhanced contemporary resonance to a largely unknown page of Frederick Douglass’ life.

Wet

Four survivors of a storm-sunken pirate ship—the legendary Isabella, Neptune’s bastard daughter; pirates Jenny (a runaway whore) and Sally (an electrified girl); and the Viscountess Marlene (a drag queen)—seize a half-wrecked ship crewed only by Captain Joppa and two sailors, young Jack and ex-slave Horatio. Joppa is determined to get back to the war. Isabella has other plans. Amidst time lurches, shifting loyalties, hearts lost and secrets revealed, the seven souls find themselves without wind or current on a slowly sinking ship, until an unexpected event offers either hope or doom.

The Broken Machine

In this climate-chaos comic-tragedy, a burnt-out coder has become a hermit in the wilderness, nursing a broken arm and making lists from memory—of endangered species, moments of Lost Time, Incorrect States of Mind—in company with her only friend, a gray fox with a bad attitude. When wildfires approach, they flee through the wilderness to the sea, pursued by feckless would-be rescuers and threatened by a punk psychopomp.

According to the Chorus

In the basement quick change room of a Broadway theater in the mid-1980s, the chorus girls are at war with their dressers. Will the new dresser, with her own sad past and uncertain future, be able to navigate this minefield?
ACCORDING TO THE CHORUS is a funny, nostalgic behind-the-scenes look at a pivotal period in the history of Broadway where women’s issues and the AIDS crisis play out through the everyday lives of Equity performers and union dressers.

Four Children

Four teenagers who lived thru genocides in Armenia, Cambodia, Sarajevo and the Holocaust tell their stories in the diaries they kept, curated to to convey the tragic similarities between them. Diary entries are read by the actors, accompanied by solo cello.

Adapted from When Broken Glass Floats by Chanrithy Him (Cambodia), The Diary of Dawid Sierakowiak (Poland), My Childhood Under Fire: A Sarajevo Diary by Nadja Halilbegovich (Sarajevo) and To the Desert: Pages from My Diary by Vahram Dadrian (Armenia).

Tell Me Something Good

TELL ME SOMETHING GOOD is a patchwork play that attempts to explore and consider all the ways that we get lost in the world. It is a collection of intertwining, pathos-rich character studies in the form of scenes and monologues, all traversing the landscape of the human condition—love, desire, ache, longing, disillusionment, loneliness—and the power of human connection. Every character is experiencing something of an existential tipping point. A beautiful, meaningful piece of theater that will leave its audience touched and then moved by its sublime reach.

With monologues, two-person scenes, and larger ensemble moments, TELL ME SOMETHING GOOD offers a flexible cast size, a modular scene structure, rich character development, and meaningful LGBTQ representation.

The Three Sisters Brontë

Set against the bleak and windy Yorkshire moors in the 1800s, THREE SISTERS BRONTË follows the lives of the Brontë sisters as they struggle to find creative prosperity while navigating the harsh realities of male society. Faced with limited opportunities for scholarly women, Charlotte, Emily, and Anne live in the rich worlds of their imaginations, dreaming of life in London, until they are forced to face the truth that nothing is certain, and their destinies are best served when held firmly in their own hands. As their brother Branwell descends into madness and their father grows blind, the three sisters must find a way to make their own living in an era when men of means asked “the woman question”: what does society do with educated unmarried women? Inspired by THREE SISTERS by Anton Chekhov, who reportedly read THE LIFE OF CHARLOTTE BRONTË a few years earlier before his play opened, THREE SISTERS BRONTË explores the parallels in the lives of the real life Brontës and the fictional Prozorovs.

Cyrano De Bergerac

CYRANO DE BERGERAC is brand new adaptation in verse of the famous crowd-pleasing tale of love, honor, and panache, by way of a warrior-poet with a huge nose and a huge complex about it.