News

Updates about TRW and our musicals

Your Next Musical: TRW’s 2019 Season Planner is Here!

TRW has the best collection of contemporary Broadway and West End musicals serviced by an unrivaled licensing team. We are ready to help bring your season choices to life!

-With exciting new titles, featuring an impressive roster of audience favorites and award winners, we have hits for every stage.
-TRW offers a wide range of easy-to-use Production Resources page to add to your show’s success.
-Spare the erasers, save the memories; with a TRW title, you keep the scripts and scores!

Click through each logo for full production info, and contact us directly to get a personal consultation on selecting the perfect TRW show for your cast and audience.

TRW’s 2018-2019 Season Planner

We’re here to help you every step of the way in choosing your next show with the best collection of contemporary Broadway and West End musicals in the business. From our New York City Headquarters to our London Office to every corner of the world, TRW’s knowledgeable and friendly licensing agents are ready to serve your production needs.

Our catalogue of major musicals continued to grow with the addition of several blockbusters in 2017. New titles will be announced throughout 2018, along with the lifting of restrictions on some titles. New for 2018-19 are BRIGHT STAR, a new Tony Award-winning edition of THE COLOR PURPLE, FLASHDANCE, and the West End’s THE WIND IN THE WILLOWS. For the U.K., GREASE has been released from restrictions and is now fully available!

Titles

Taking a closer look at our musicals

Catch a Feeling with TRW’s Latest British Musical: BROTHERS

BROTHERS entered my life and I got the feeling. The feeling that this musical had the power to change somebody’s world. With Music, Lyrics, & Books by Arnoud Breitbarth, BROTHERS follows the journey of 18-year-old Luke who discovers a diary of his recently deceased brother, Marius. He and his mother relive joyful and painful memories and through this, they embark on a personal journey of self-discovery and acceptance. I began reading the script with the sole intention of reading mini sections per day. Thirty glorious minutes later I had cried, laughed and audibly gasped like an excited audience member at a Christmas Panto! I couldn’t put it down! Work that explores issues of identity, speaks to me personally. In my own time, I advocate for the equality of all and wish to see these ideologies reflected on stage.

Drawing My Own Conclusion with Andrew Lippa’s New Musical

As the Marketing Associate, one of my first assignments was to write for this very blog. I was asked to write about one of our newest musicals: THE MAN IN THE CEILING. The fear of failure paralyzed me. Doubt started creeping into my head: “Can I do this?” “Where do I begin?”

I felt anxious and scared about producing something worthy of placement on our blog. “What if I failed?” The answer to that became clearer as I got closer to the story and the music.

I began researching THE MAN IN THE CEILING’s creators: Andrew Lippa (Music & Lyrics) and Jules Feiffer (Book). I needed to know who they were and what motivated them. An article I cam across written by Lippa, titled “7 Pieces of Advice for Writers,” addressed overcoming fear and trusting your art. “Let the piece become what it wants to be…be ready to tell this story in a new way.”

Authors

Profiles, interviews, & news about the creative minds that make our musicals possible

Author Spotlight: THE PROM’s Chad Beguelin & Matthew Sklar

It’s been a good couple of years for Chad Beguelin & Matthew Sklar. Their last two collaborative efforts with Tony®-winning writer Bob Martin have come to fruition. First, it was the East Coast premiere of HALF TIME at the acclaimed Paper Mill Playhouse. The new musical about professional basketball’s first-ever aged 60-and-older dance team opened last June with Tony®-winning director & choreographer Jerry Mitchell at the helm. Then in November, THE PROM opened on Broadway, marking their third musical collaboration to hit the Great White Way.  The musical racked up rave reviews, seven Tony® nominations and five Drama Desk nominations, taking home the Drama Desk for Best Musical. While its run at the Longacre Theater ended August 11th, THE PROM is living on with a YA novel adaptation, a Netflix movie…

Land a Big Catch with Daniel Wallace at Your Production of BIG FISH!

TRW is proud to offer the exciting opportunity to have Daniel Wallace, the author of the novel BIG FISH, at your production. He is the only person who has been involved in the story since its inception: from the book, to the film, to the Broadway production. His insights are sure to provide a unique perspective for your theatre. If you are interested in having Daniel Wallace at your production, please email Trinity at info@tuesdayagency.com for booking details. We hope that you will jump on this opportunity to share a truly memorable experience with your patrons and audience members alike.

Based on the celebrated novel by Daniel Wallace and the acclaimed film directed by Tim Burton, BIG FISH centers on Edward Bloom, a traveling salesman who lives life to its fullest… and then some!

TRW On Location

Worldwide and we mean it

54 Sings Curtains

Last night we kicked off our first of many nights at Feinsteins/54 Below with 54 Sings Curtains. Not only was it a wonderful evening full of familiar faces, but the perfect reminder of what a gem this show is. The evening was introduced by bookwriter Rupert Holmes, who gave us an abridged story of how CURTAINS was created. The cast assembled was led by the quirky and hilarious Richard Kind, who so graciously stepped into the leading role of Lieutenant Frank Cioffi, and brought his own comedic flair to the role originated by David Hyde Pierce. Other notable cast members included the always superb Karen Ziemba as the songwriter turned star Georgia Hendricks, Noah Racey as leading man Bobby Pepper, Megan Sikora as Bambi, Erin Davie, who replaced in the original production, as ingenue Niki Harris, and a host of other Broadway veterans.

54 Sings Memphis

Last night we returned to Feinsteins/54 Below for 54 Sings Memphis and what an absolute treat it was. Several original Broadway cast members returned with some new talent and what transpired was nothing short of a celebration. This Tony Award®-winning Best Musical remains poignant today, as we follow the cultural friction of Memphis’ underground dance clubs in the 1950’s as radio jockey Huey Calhoun falls for singer Felicia Farrell in a time when their interracial relationship was hardly celebrated. Tony nominee Chad Kimball returned to the role he created and Huey still fits like a glove. Felicia Boswell, who starred in the First National Tour, was Felicia Farrell and original Broadway cast member Cass Morgan brought Mama back to life.

Productions

TRW titles in action, across the country and the world

Three Teenage Bohemians with the one in the center with a guitar

WE WILL ROCK YOU Gives Students and School Rock Star Chance

It’s been a long road for Hammond Academy of the Performing Arts in Hammond, Indiana. The Academy was established in 2010 as part of Morton High School. In the 1980s, Greg Easton, the current principal of Morton, teamed with various neighboring teachers and administrators to start a performing arts school in Hammond. Among the schools in the town, Morton was chosen because it had the best facility to house such an arts program but that didn’t mean the plan would be without pitfalls. Morton High School is a Title-1 school, meaning many of the students receive free or reduced lunch and services and face socio-economic challenges.
While teacher salaries are paid for by the district, the program itself must be self-sufficient. “Everything we spend, we make,” explains Easton.

The Addams Goes Dutch

One of the most acclaimed international productions closes on March 31st. Produced by TEC Entertainment and directed by Paul Eenens, the Dutch premiere of THE ADDAMS FAMILY has been taking the Netherlands by storm for the past five months. The production started picking up leads of five star reviews from severally leading publications including De Volkskrant, heralded as the paper of record in the Netherlands. The show was described as love letter to all things Addams Family and the Dutch theatrical community offered gifts of their love, including 11 Dutch Musical nominations (the country’s equivalent of the Tonys® or Oliviers®). Six of the nominations were for the performances alone with 5 additional nominations for design, translation, direction, and Best Musical.