When your survival is at stake… will you be able to distinguish the monster from the man? Both terrifying and riotous, Kate Hamill’s imaginative, gender-bending “feminist revenge fantasy” is like no Dracula you’ve ever seen—exploring the nature of predators and reinventing the story as a smart, disquieting, darkly comic drama. Hamill’s signature style and postmodern wit upends this familiar tale of Victorian vampires—driving a stake through the heart of toxic masculinity.
Emma Woodhouse is clever, educated, and energetic… and in imminent danger of going mad with idleness. In a time when respectable ladies are expected to sit quietly at home, she desperately needs projects—and prides herself on matchmaking, much to the chagrin of her friend Mr. Knightley. But where Emma’s considerable energies focus, screwball comedy follows… A fresh feminist take on a treasured classic, this Emma breaks down convention, expectation, and even the fourth wall with vibrant comic flair—leading audiences “forward, onward, and upward!”
Faithful to the language of Charles Dickens’s novella and suffused with Christmas songs, A CHRISTMAS CAROL tells the story of the curmudgeonly miser, Ebeneezer Scrooge, and his miraculous transformation. The night before Christmas he is visited by four ghosts, who show him how his choices have affected those around him as well as himself and remind him of what is important in this world. Waking, after the visitations, in time for Christmas, Scrooge sets out to make things right and change not only his life, but those around him.
Liúbov Ranyévskaya returns to her Russian estate after five years in Paris, following her son’s death. But her family is ridden with debt, and their home and beautiful cherry orchard will be auctioned off at the end of the summer. Lopákhin grew up on the estate, the child of former serfs, and has become a wealthy merchant. He suggests they build vacation homes where the orchard sits. The income would save them, but Liúbov and her brother won’t even consider it. They—like the cherry orchard—are a relic from another time: beautiful, but now fruitless. Summer comes to a close, and the Ranyévskayas must leave—with the sound of axes coming from the orchard.
It’s Carmela’s birthday, and she’s finally old enough to accompany her big brother on his errands. On their way to the laundromat, past fields of what her Mamí calls “flores de cempazuchitl”, Carmela finds a puffy white dandelion to blow, but her brother asks “Did you even make a wish?”
The Newbery award-winning team behind Last Stop on Market Street portrays Carmela’s migrant community as a vibrant place of possibility. Full of touching and funny fantasies, Carmela must decide what her deepest wish is and she must do it before her birthday is over.
Thirst is set in the kitchen as Eugene O’Neill’s classic Long Day’s Journey Into Night simultaneously takes place in the living room. It is a story where passion, wit and beauty bubble to the surface as two Irish servant women and an American chauffeur pass that day in 1912 at the Tyrone’s Monte Cristo Cottage.
This all-new musical, based upon Louisa May Alcott’s beloved 19th century novel, vividly brings to life the March family of Concord, Massachusetts. In a time of war and sacrifice, Jo, Meg, Amy, and Beth, guided by their mother Marmee, grow from girls into women, through romance and courtship, illness and loss, loving and letting go. Kim Oler and Alison Hubbard’s moving Richard Rodgers Award-winning score, by turns funny and touching, is seamlessly matched by Sean Hartley’s wise and witty book. This is a LITTLE WOMEN like none you have ever seen or heard before.
THE WIND IN THE WILLOWS is a rollicking, adventurous musical based on Kenneth Grahame’s beloved classic of children’s literature. With a book by Oscar-winning screenwriter and Downton Abbey creator Julian Fellowes and a charming, unforgettable score by Olivier Award-winning composers George Stiles and Anthony Drewe, this family-friendly musical brings the timeless story to life with humor, heart, and excitement.
This riotous comedy follows Mole, Rat, Badger, and the impulsive Mr. Toad, whose insatiable need for speed lands him in serious trouble. With his beloved home under threat from the notorious Chief Weasel and his gang of sinister Wild Wooders, Toad must attempt a daring escape leading to a series of misadventures and a heroic battle to recapture Toad Hall.
With its humor, wit, heartwarming lessons of friendship, and a gorgeous, soaring score, THE WIND IN THE WILLOWS is ideal for professional, community, school, or youth theatres and is the perfect fit for family audiences everywhere.
THE WIND IN THE WILLOWS Young@Part® is the authorized 60-minute edition of the West End musical for elementary and middle schools, as well as youth theatres. The Young@Part® musicals are carefully crafted through a series of workshops with industry professionals and young performers. Song keys are adjusted where necessary, and songs and scenes are edited for time and content, all while preserving the essence of the original [West End production.
Each Young@Part® title includes Performance Tracks, Guide Vocal Tracks, a Director’s Guide, 30 Student Scripts, and more, all available with an affordable Performance License package.
THE ADDAMS FAMILY, a comical feast that embraces the wackiness in every family, features an original story and a dilemma that’s every father’s nightmare: Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family—a man her parents have never met. And if that wasn’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before—keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.
THE ADDAMS FAMILY Younger@Part® is the authorized 30-minute edition of the Broadway musical for elementary schools and youth theatres (grades 2 – 5). Through a series of workshops, our Younger@Part® musicals are tailor-made for younger actors. Song keys are changed where needed, songs and scenes are edited for time and content, while keeping the spirit of the original Broadway show intact. There are great parts for girls, boys, and can include any sized ensemble/chorus, who appear throughout the show.
Each Younger@Part® title comes complete with Performance Tracks, Guide Vocal Tracks, Director’s Guide, and 30 Student Scripts.
I LOVE YOU BECAUSE is a charming, modern-day reimagining of PRIDE AND PREJUDICE, set against the backdrop of bustling New York City. This witty and heartfelt musical follows an uptight, rule-bound greeting card writer whose world is upended when he meets a free-spirited photographer with a mind of her own. As their unlikely romance unfolds—mirroring the sparks and clashes of Austen’s beloved characters—they navigate love, misunderstandings, and the meddling of their delightfully eccentric friends and siblings.
With humor, heart, and a touch of Regency sensibility in a contemporary world, I LOVE YOU BECAUSE celebrates the idea that true love isn’t about perfection, but about embracing each other’s flaws—because of, not in spite of, them.
I LOVE YOU BECAUSE School Edition has been adapted from the original Off-Broadway production. The School Edition has been carefully edited, with additional director’s notes throughout, to make the show more producible for high school groups. Song keys have been adjusted to sit more comfortably in the range of high school performers. In some cases, problematic language has been changed, while in others an alternate choice is offered at the discretion of the director.
