An inspiring score of powerful pop hits drives this witty, fast-paced retelling of the iconic story of Joan of Arc, a 17-year-old girl who changed the world. In this pop-rock adaptation, Joan is a warrior for everyone. From her small town to the intricacies of French court to the fields of battle, she led the charge to end a war that started before she was born and overthrow the greatest military power in the world—THAT is punk rock! She talked to angels, stood up to princes, argued with canon lawyers, and held her own in the face of public execution by fire. She led an army with no experience because she was absolutely convinced that if she didn’t save the world, nobody would. Joan is a hero perfect for anyone who has been born into a system that seems broken beyond repair, dares to imagine a better future, and works hard to bring that future into existence.
Full of defiant, chart-topping anthems by P!nk, Kelly Clarkson, Andra Day, Weezer, Melissa Etheridge, and more, WILD HEART affords powerful leading male and female roles and a richly developed ensemble full of saints, townspeople, followers, and detractors. In this revolutionary new musical by acclaimed writer Chelsea Marcantel, join Joan as she defies the odds, demands the respect of her nation’s leaders, and fights imperviously for freedom.
When Viriginia Woolf chooses to invite an audience to watch the stage adaptation of her wildly imaginative, rollicking and groundbreaking novel Orlando she is surprised when the characters begin to contest the narrative and demand revisions, including songs, dances, and comic interludes. As the rehearsal progresses aspects of Virginia’s life merge with the lives of the characters. After falling in love with her lead character she is led to the realization of the healing and transformative power of love and art.
An abridged version of James’s JANE AUSTEN IN 89 MINUTES with optional scenes to extend its length.
In this uproarious, clever, engaging comedy, narrator Jane Austen and a madcap cast of ladies and gents deliver condensed versions of all six of Austen’s beloved novels at a lightning pace, including modern day zingers about Austen’s fame—and fandom. Fans will be delighted, although no knowledge of Austen’s work is required to enjoy the play, which basks in the glory of her major works, while also poking fun at their pitfalls—a hilarious and loving homage to the celebrated English writer whose insightful wit and romantic stories are treasured across the world today.
Charles Dickens’ timeless tale of Ebenezer Scrooge’s journey toward redemption, aided by the Spirits of Christmas Past, Present, and Yet To Come, is freshly told in this masterful dramatization which has become a standard throughout the country. Drawing deeply from Dickens’ own words, with evocative music and lyrics newly adapted from traditional sources, A CHRISTMAS CAROL is both a joyous piece of theatre and a moving reminder of the necessity of good will and humanity in the world—not just in Dickens’ time, but in our own.
In this uproarious, clever, engaging comedy, narrator Jane Austen and a madcap cast of ladies and gents deliver condensed versions of all six of Austen’s beloved novels at a lightning pace, including modern day zingers about Austen’s fame, fandom, movies and TV series. Fans will be delighted, although no knowledge of Austen’s work is required to enjoy the play, which basks in the glory of her major works, while also poking fun at their pitfalls—a hilarious and loving homage to the celebrated English writer whose insightful wit and romantic stories are treasured across the world today.
Based on the true story of Artemisia Gentileschi, the most successful female artist of her era. At the height of the Italian Renaissance, Artemisia Gentileschi dreams of immortality—of changing humanity’s very image. She wants to become one of the truly great painters; a maestro—and she’s willing to fight to get there. But a series of brutal betrayals forever alters her life and art… kindling a flame that continues to astonish and inspire today.
Written by one of America’s most popular playwrights, THE LIGHT AND THE DARK is a “feminist primal scream”—a bold, deep-thinking examination of art’s ability to transcend trauma, the power of the feminist gaze, and the transformative power of female rage in reshaping societal paradigms.
GRAVITY takes place in the rooms of Isaac Newton at Cambridge University in September, 1693, when Newton went through what subsequent biographers would call a “discomfiture of the mind.” Newton’s tragic past, conflicted sexuality, heretical religious beliefs, and alchemical experimentation had led him to lock himself away in his rooms in an attempt to complete his greatest work. It features Newton’s friend, the philosopher John Locke, and Newton’s nemesis, Dr. Robert Hooke, a brilliant polymath and devoted ladies’ man, whose jealousy of Newton unhinged him from time to time. Finally, the play features the mysterious woman with whom Newton became “embroiled.”
Henry Boyle is a shy, reclusive Professor of Medieval Studies whose life falls apart when his wife divorces him. At the urging of a colleague who encourages him to try something different, Henry begins drinking absinthe and writes a best-selling book which transforms him into a pop-culture celebrity. As he visibly disintegrates in the public eye, his popularity soars as people anticipate a Van Gogh/Kurt Cobain explosion. Henry finds an ally in a castle-hunting waitress who helps him realize that his only chance at salvation is to become a nonentity again, but how is that possible in a celebrity-crazed culture?
In October of 1940, two years after Orson Welles’ infamous War of the Worlds radio broadcast, Orson happened to be at the same hotel as H.G. Wells in San Antonio, Texas, on the same day. Orson is desperately trying to raise money to finish shooting Citizen Kane, and comes to H.G.’s room to ask a favor for his PR. But H.G. is still furious over Orson’s prank. Orson is 25 years old, H.G. is 75. Two men at the beginning and end of their careers battle it out. Based on true events.
A visceral exploration of “original sin,” Kate Hamill’s highly-theatrical, vital reimagining of The Scarlet Letter follows strong-willed, intelligent Hester Prynne as she tries to find her own moral compass and raise her daughter in a society that harshly punishes women for independent thought, sexuality, or defiance. Hester and the other Massachusetts Bay colonists—including her guilt-ridden lover and her estranged husband—struggle with their own deeply-ingrained shame, as they debate what transgressions might truly be “unforgivable”… and learn how violence, superstition, repression, and uncomfortable truths may shape the land that will become America.
