Shakespeare Young@Part®: Some Comedies

SHAKESPEARE YOUNG@PART®: SOME COMEDIES introduces the audience to six of Shakespeare’s comedies. The shortened comedies that are included are TWO GENTLEMEN OF VERONA, MUCH ADO ABOUT NOTHING, MIDSUMMER NIGHT’S DREAM, AS YOU LIKE IT, TWELFTH NIGHT, and THE TAMING OF THE SHREW.

The Servant of Two Masters

Identities are mistaken, engagements are broken, and lovers are reunited in this new adaptation of Carlo Goldoni’s commedia dell’arte masterpiece. Set in Venice, mayhem erupts when the wily—and chronically hungry—servant Truffaldino hatches a zany scheme to double his wages (and his meals) by serving two masters at once. This physical comedy classic will have you laughing at and loving our hapless hero.

Ms. Holmes & Ms. Watson – Apt. 2B

An irreverent, darkly comic, modern take on Sir Arthur Conan Doyle’s famous sleuth and sidekick. This fast-paced romp re-examines the world’s most famous detective story with a bold new feminist lens. In this highly theatrical, small-cast escapade, oddball female roommates Sherlock (yes, it’s also a girl’s name—wait, is it a girl’s name? Is it even a name?) Holmes & Joan Watson join forces to emerge from pandemic fog as a deeply codependent, quasi-dysfunctional Odd Couple adventure duo—solving mysteries and kicking butts, until they come face to face with a villain who seems to have all of the answers.

The Seagull

Irína Arkádina is a famous—but fading—actress in Russia at the turn of the last century. She and her lover, Boris Trigórin, a well-known author, arrive at her brother Sórin’s country estate for the summer, just as son Konstantín is staging an experimental new play he’s written and directed, starring his girlfriend, Nína. Konstantín wants to find “new forms of theater,” but Arkádina is far more traditional—and not about to let anyone forget that she’s the star in the family. Her snide comments during the performance enrage Konstantín, who stops the show and storms off. In Konstantín’s absence, Nína comes out and is introduced to Trigórin. Nína is soon enthralled by the successful author, which starts a love affair—and the ensuing jealousies and anger—that will eventually ruin lives.

Glassheart

Beauty never showed up. After centuries under the curse, the Beast and his remaining magical servant (a hopelessly optimistic lamp) move into a shabby Chicago apartment, hoping for a lower cost of living and better luck with girls. In the threatening, impossible, completely ordinary world of paying rent and taking public transportation, is a happy ending even possible? A romantic tragicomedy about facing the witch in your head, and finding the wish in your heart.

Hook’s Tale

Captain James Hook (née Cook), badly maligned by a certain play and despised by generations of Peter Pan fans, finally gets to clear his name. The good Captain, with the aid of his friend Smee, tells his life-story in this family-friendly play, recounting his friendship with and ultimate betrayal by Peter Pan, his romance with Tiger Lily, his familial relationship with the Darling family, and his adoption of a lovable crocodile named Daisy. In narrating his tale, he uncovers the hidden treasure of Neverland, discovers the identity of his long-lost father, and learns the importance of growing up and growing old.

Ghost

Based upon the book by Jason Reynolds.

Castle Crenshaw, a.k.a. Ghost, has been running his entire life, but for all the wrong reasons. Then one day he meets Coach, an Olympic medalist who sees his unique raw talent. Can Ghost achieve the speed he needs for success, or will his past finally catch up to him?

Jacked!

Inspired by Jack and the Beanstalk and designed and developed for children, Jacked! fuses storytelling and poetry with hip-hop and break-beat music to encourage a dialogue about substance abuse and the overwhelming effects the opioid epidemic is having in our communities.

Frankenstein

This new, fully faithful stage version of Mary Shelley’s horror classic proves that the novel wasn’t merely ahead of its time, but that it’s as relevant as ever in the 21st century. Opening and closing in the arctic and telling the full story, not only of Victor Frankenstein, Elizabeth, Henry, and his family, but that of The Creature as well, including the exiled Parisian family and their savior, Safie. As the epic story unfolds and Victor and his Creature go to battle, Shelley’s themes — the responsibility of creation, obsession and revenge, love and hate, and, ultimately, devotion and abandonment — emerge, and as The Creature, bit by bit, destroys Victor’s life, we see that the monster knew more about being human, from the beginning to the tragic conclusion, than its human creator ever did.

Dracula

When your survival is at stake… will you be able to distinguish the monster from the man? Both terrifying and riotous, Kate Hamill’s imaginative, gender-bending “feminist revenge fantasy” is like no Dracula you’ve ever seen—exploring the nature of predators and reinventing the story as a smart, disquieting, darkly comic drama. Hamill’s signature style and postmodern wit upends this familiar tale of Victorian vampires—driving a stake through the heart of toxic masculinity.