With a score from award-winning composer Andrew Lippa (THE ADDAMS FAMILY, BIG FISH), LOVE SOMEBODY NOW features original songs combined with songs from eight of his most beloved shows woven into a new, original, sung-through, dialogue-free, dramatically staged story by Nathan Brewer and Matthew Webster.
The musical follows two single women who head out to a restaurant and meet their respective partners. Throughout the course of the show, those new couples each have a child, those children fall in love with each other and are eventually married. The empty nesters are left to figure out the third chapter of their lives—one couple is better off together, and the other is better off apart.
With a cast of six (4 women, 2 men) and brand-new arrangements and orchestrations for 5 musicians, the show captures the full arc of love over many years—not just the initial attraction, but the risk and commitment involved towards moving forward each day with hope and belief.
NEVER CAN SAY GOODBYE: The ’70s Beehive Musical is the electrifying new musical in the spirit of the beloved BEEHIVE: The ’60s Musical. Produced by TRW Production, this dynamic new installment captures the empowering spirit, cultural revolution, and bold style of the 1970s, driven by a soundtrack of iconic hits made famous by artists like Gloria Gaynor, Heart, and Linda Ronstadt. From heartfelt ballads to glittering disco anthems, the show is a high-energy tribute to sisterhood, self-expression, and the unforgettable music of a transformative decade.
This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes of a major figure largely excluded from it.
In first-century Nazareth, Mary, an unmarried teenage girl, finds herself pregnant. If she cannot “sort this out” it will likely spell death. But then… could it not perhaps be something else? Something glorious?
It’s finals week at a small liberal arts college in rural Pennsylvania. A tight-knit group of roommates pull one last all-nighter to complete their final assignments. Holed up in an old ballroom, the hours pass, the pressure mounts, the adderall flows, and the truths that have always bound this group together are put to the test. What will be left when the sun rises?
After a brutal car wreck in the mountains of Oregon, a young couple seeks shelter from a blizzard in a small cabin. But the cabin’s seemingly innocent inhabitants: four children and their minder, quickly start to expose the couple’s secrets, unmake everything they know about themselves, and hurl them towards a potentially sinister destination. GREY HOUSE is a new horror play about the gravity of the past and the cruel inevitability of its pull.
In 1888, four men aboard a whaling ship—Mate, a haunted soul; a guilt-ridden Captain; Little Brother, an adventurous romantic; and his devout sibling, Big Brother—are shipwrecked off the coast of New Bedford, Massachusetts. Stranded on a lifeboat, they are forced to confront their pasts, moral choices, and the limits of human endurance as they fight for survival. Their story unfolds through the poetic book by John Logan and the hauntingly beautiful and raw music of The Avett Brothers, with a gripping narrative that explores themes of sacrifice, forgiveness, brotherhood, and redemption. Performed in one act, the show keeps audiences immersed and emotionally on edge throughout the harrowing journey.
Z, a gay teenager, and his father live together in a crumbling old house in rural Georgia. When Z discovers a trove of mysterious love letters among his late grandfather’s belongings, he goes on a journey of self discovery that just may have the power to wake the dead. THE MAGNOLIA BALLET is a Southern Gothic fable about a Queer Black boy, his father, and the ghosts that live in the walls of their old family home.
Courtney Berringers would like to welcome you to her wake! But—make no mistake—this ain’t your grandma’s funeral. AT THE WAKE OF A DEAD DRAG QUEEN is an imaginative one-act play that uses magical realism, mythology, drama, and drag to tell the story of a pair of drag queens living (and dying) in rural Georgia in 2004. From African Gods and Goddesses to Trina and Whitney Houston, AT THE WAKE OF A DEAD DRAG QUEEN explores identity, illness, and the celebration of Black, queer life in the rural south. Come party at the wake. Bring your own heels!
CREDITORS is the suspenseful tale of two men who meet at a seaside resort in Sweden—a sculptor and a mysterious stranger—only to discover that they have something unexpected in common; a woman. In Wright’s adaptation of Strindberg’s forgotten masterwork, all three characters engage in a deadly game of wits, opening old wounds and inflicting fresh ones. Written in 1888, the play still bears its ferocious sting, and is reminiscent of the most contemporary erotic thrillers with its blend of toxic desire and wicked intent.
