“Women feel just as men feel. They need exercise for their faculties, and a field for their efforts, as much as their brothers do.”
Charlotte Brontë’s timeless romance, JANE EYRE, is a Gothic story of resilience, in which a penniless orphan is determined to craft a fulfilling life for herself, against all odds. When Jane is hired as a governess at Thornfield Hall, she falls passionately in love with her brooding employer, only to discover that he—and his home—are surrounded by dark secrets. When the secrets are revealed, how will Jane preserve her chances for happiness?
It’s the day before Queen Victoria’s Diamond Jubilee, and her son, the playboy Prince of Wales, arrives at 221B Baker Street pursued by Anarchist assassins. The greatest chef in the world, Auguste Escoffier, also arrives, his career about to be shattered by blackmail and scandal. This action-filled tale of royal debauchery, priceless gems, and gourmet food will provide Dr. Watson with the material for Sherlock Holmes’ most bizarre and tastiest case.
A lively and heartfelt play with music about holding on to what truly matters. Set at Riverdale Manor, a cozy retirement community in the Bronx, our senior friends share their thoughts on love, loss, and new beginnings later in life—wondering if a broken heart can really be the end, if divorce is worth it after decades together, and when the right moment is to enjoy intimacy again. A talent show (with the promise of cake for dessert) becomes the backdrop for a series of poignant and humorous vignettes celebrating the sweetness, freedom, and discovery of these years.
ZOMBIE: THE AMERICAN is a cross between Jacobean tragedy and Dr. Strangelove, a futuristic political satire set in the year 2063. Thom Valentine, the first openly-gay President of the United States, faces a host of problems: an imminent civil war, the threat of an African invasion, an adulterous First Gentleman, and zombies in the basement of the White House! With his power, his marriage, and the nation’s well-being at stake, he must decide what he cares most about saving … and at what cost.
THE VAGRANT TRILOGY consists of three plays: The Hour of Feeling, The Vagrant, and Urge for Going. In part one, The Hour of Feeling, (1967) we meet Adham, a hot young scholar back from university in Cairo, readying himself to go to London to give a talk. He marries a girl from the village and takes her with him, and when war breaks out at home, the two near-strangers must decide what to do. The second play in the trilogy, The Vagrant, finds Adham and Abir nearly 20 years later (1982), divorced, him teaching at a humble college in London. Adham’s hopes for professorship are tested when both “homes”—England and Palestine—flare up with political violence, and the compartmentalization he’s built around himself in order to survive starts to crumble. The third play, Urge for Going, finds a completely different Adham and Abir, representing a different fork in the road taken back in 1967. We see them in a modern-day refugee camp in Lebanon, with a daughter (Jamila) determined to break out of the endless stasis of her family’s life.
Ten years after Abigail Williams, instigator of the witch trials, disappeared from Salem, she turns up at the tavern of her fellow ex witch-hunter, Mercy Lewis. About to leave the colonies forever, it’s her last chance to understand the madness that overtook them. But with war threatening northern New England yet again, Mercy and her fellow townspeople are in no mood for Abigail’s doubts, which suggest to them complicity with the devil. And just when everything is at its most dangerously tense—the devil himself shows up.
An elderly professor and his glamorous, younger second wife, Yeléna, return to the rural estate that supports their urban lifestyle. Ványa, brother of the professor’s late first wife, who manages the estate, and Ástrov, the local doctor, fall under Yeléna’s spell, while bemoaning their provincial existence. Sónya, the professor’s daughter by his first wife, who works with Ványa, suffers from unrequited feelings for Ástrov. Matters come to a crisis when the professor announces he plans to sell the estate, Ványa and Sónya’s home, to make more money for himself and his wife.
London: November, 1905. England and the world are changing. As civilization edges towards the horrors of World War I, every day brings new tensions in Europe and technological advances that make Victorian England feel like a distant dream. Into the rooms of Sherlock Holmes come Nikola Tesla and Thomas Edison—with new inventions that will alter the course of human history—only both inventions have gone missing. Can Holmes, Watson, and Irene Adler somehow unravel the latest diabolical scheme of Marie Chartier—evil daughter of the late Professor Moriarty? Can world peace be achieved by the most powerful weapon ever created? Can death itself be overcome by a scientific genius? And can Sherlock Holmes survive the greatest personal loss of his career?
SILVER FOXES is a contemporary comedy taking place in a time worn but iconic mid-century Palm Springs home. The plot revolves around Chuck and Benny, two 60ish gay men, now ex-lovers, still figuring out their post-relationship relationship. While their buddy Jerry’s much younger lover is in town, they discover their oldest and dearest friend, Cecil, has been forced back into the closet while living in a homophobic independent living facility. This “chosen family” is forced to take charge of Cecil’s future in order to help him live out his life with pride and dignity. Thematically the play explores gentrification, home and body maintenance, and the realities of growing older at all ages in the LGBTQ+ community.
Abby, a precocious emo-goth teenager, orchestrates a surprise reunion for her mother Tanya and birth father Tom, with the help of her mom’s fiancé/healer John. Hoping to provoke long-lasting reconciliation between her parents before her high school graduation, Abby’s plans completely derail when Tom arrives with his new girlfriend Alisha. Can this family confront their past traumas, “deal and heal?”
