NEVER CAN SAY GOODBYE: The ’70s Beehive Musical is the electrifying new musical in the spirit of the beloved BEEHIVE: The ’60s Musical. Produced by TRW Production, this dynamic new installment captures the empowering spirit, cultural revolution, and bold style of the 1970s, driven by a soundtrack of iconic hits made famous by artists like Gloria Gaynor, Heart, and Linda Ronstadt. From heartfelt ballads to glittering disco anthems, the show is a high-energy tribute to sisterhood, self-expression, and the unforgettable music of a transformative decade.
Length: 75-90 Minutes
A full-length show that runs approximately between 75-90 minutes.
Magdalene
This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes of a major figure largely excluded from it.
Mary
In first-century Nazareth, Mary, an unmarried teenage girl, finds herself pregnant. If she cannot “sort this out” it will likely spell death. But then… could it not perhaps be something else? Something glorious?
Tuba!
When Jessica, an impressionable freshman, joins the tuba section of the marching band at a major football university in Texas, she is forced to confront her identity as a non-Spanish speaking latina. She and her newfound family of ragtag tuba players, on the precipice of entering the “real world,” explore their perceived identities, created identities, and forced identities through the lens of the tuba section—the most identifiable group in the marching band.
Trespassers
When a progressive suburban attorney invites his son—freshly pardoned for crimes committed during the January 6th uprising—into the upscale home he shares with his African-American partner, the reunion explodes into a darkly comic battle over guns, race, and America’s fractured pride. Blending tense domestic realism with sharply satirical humor, TRESPASSERS creates a world in which menace and laughter live side by side. The result is an unsettling portrait of a nation in crisis, asking whether reconciliation is even possible when ideology, prejudice, and denial trespass into our most intimate spaces.
All Nighter
It’s finals week at a small liberal arts college in rural Pennsylvania. A tight-knit group of roommates pull one last all-nighter to complete their final assignments. Holed up in an old ballroom, the hours pass, the pressure mounts, the adderall flows, and the truths that have always bound this group together are put to the test. What will be left when the sun rises?
The Flatlanders
After fourteen years of living together, Ronnie and Michael decide to get married at an inn in the Pocono Mountains. They are forced to break into a stranger’s cabin when their car slides off the road in a blizzard. With no phone, internet, or television they are forced to do something they haven’t done in years: actually talk to each other. During the course of the evening they begin to question whether or not to actually go through with the wedding.
The Magnolia Ballet
Z, a gay teenager, and his father live together in a crumbling old house in rural Georgia. When Z discovers a trove of mysterious love letters among his late grandfather’s belongings, he goes on a journey of self discovery that just may have the power to wake the dead. THE MAGNOLIA BALLET is a Southern Gothic fable about a Queer Black boy, his father, and the ghosts that live in the walls of their old family home.
At the Wake of a Dead Drag Queen
Courtney Berringers would like to welcome you to her wake! But—make no mistake—this ain’t your grandma’s funeral. AT THE WAKE OF A DEAD DRAG QUEEN is an imaginative one-act play that uses magical realism, mythology, drama, and drag to tell the story of a pair of drag queens living (and dying) in rural Georgia in 2004. From African Gods and Goddesses to Trina and Whitney Houston, AT THE WAKE OF A DEAD DRAG QUEEN explores identity, illness, and the celebration of Black, queer life in the rural south. Come party at the wake. Bring your own heels!
Creditors
CREDITORS is the suspenseful tale of two men who meet at a seaside resort in Sweden—a sculptor and a mysterious stranger—only to discover that they have something unexpected in common; a woman. In Wright’s adaptation of Strindberg’s forgotten masterwork, all three characters engage in a deadly game of wits, opening old wounds and inflicting fresh ones. Written in 1888, the play still bears its ferocious sting, and is reminiscent of the most contemporary erotic thrillers with its blend of toxic desire and wicked intent.