Sarah and her father, Paul, have fled NYC and are hiding in plain sight as Mary and Paul Tate in upstate, NY. It’s eight years after the successful January 6th insurrection and anyone who isn’t White and Christian has fled the country or been “disappeared.”
They’ve almost made it through their first year when, late one night, an ancient, Yiddish-speaking woman is deposited on their doorstep with a note, “It’s your turn to hide her. Good luck.” They must grapple with whether to protect her or turn her in and save themselves.
With a score from award-winning composer Andrew Lippa (THE ADDAMS FAMILY, BIG FISH), LOVE SOMEBODY NOW features original songs combined with songs from eight of his most beloved shows woven into a new, original, sung-through, dialogue-free, dramatically staged story by Nathan Brewer and Matthew Webster.
The musical follows two single women who head out to a restaurant and meet their respective partners. Throughout the course of the show, those new couples each have a child, those children fall in love with each other and are eventually married. The empty nesters are left to figure out the third chapter of their lives—one couple is better off together, and the other is better off apart.
With a cast of six (4 women, 2 men) and brand-new arrangements and orchestrations for 5 musicians, the show captures the full arc of love over many years—not just the initial attraction, but the risk and commitment involved towards moving forward each day with hope and belief.
NEVER CAN SAY GOODBYE: The ’70s Beehive Musical is the electrifying new musical in the spirit of the beloved BEEHIVE: The ’60s Musical. Produced by TRW Production, this dynamic new installment captures the empowering spirit, cultural revolution, and bold style of the 1970s, driven by a soundtrack of iconic hits made famous by artists like Gloria Gaynor, Heart, and Linda Ronstadt. From heartfelt ballads to glittering disco anthems, the show is a high-energy tribute to sisterhood, self-expression, and the unforgettable music of a transformative decade.
This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes of a major figure largely excluded from it.
In first-century Nazareth, Mary, an unmarried teenage girl, finds herself pregnant. If she cannot “sort this out” it will likely spell death. But then… could it not perhaps be something else? Something glorious?
When Jessica, an impressionable freshman, joins the tuba section of the marching band at a major football university in Texas, she is forced to confront her identity as a non-Spanish speaking latina. She and her newfound family of ragtag tuba players, on the precipice of entering the “real world,” explore their perceived identities, created identities, and forced identities through the lens of the tuba section—the most identifiable group in the marching band.
When a progressive suburban attorney invites his son—freshly pardoned for crimes committed during the January 6th uprising—into the upscale home he shares with his African-American partner, the reunion explodes into a darkly comic battle over guns, race, and America’s fractured pride. Blending tense domestic realism with sharply satirical humor, TRESPASSERS creates a world in which menace and laughter live side by side. The result is an unsettling portrait of a nation in crisis, asking whether reconciliation is even possible when ideology, prejudice, and denial trespass into our most intimate spaces.
It’s finals week at a small liberal arts college in rural Pennsylvania. A tight-knit group of roommates pull one last all-nighter to complete their final assignments. Holed up in an old ballroom, the hours pass, the pressure mounts, and the truths that have always bound this group together are put to the test. What will be left when the sun rises?
After fourteen years of living together, Ronnie and Michael decide to get married at an inn in the Pocono Mountains. They are forced to break into a stranger’s cabin when their car slides off the road in a blizzard. With no phone, internet, or television they are forced to do something they haven’t done in years: actually talk to each other. During the course of the evening they begin to question whether or not to actually go through with the wedding.
Z, a gay teenager, and his father live together in a crumbling old house in rural Georgia. When Z discovers a trove of mysterious love letters among his late grandfather’s belongings, he goes on a journey of self discovery that just may have the power to wake the dead. THE MAGNOLIA BALLET is a Southern Gothic fable about a Queer Black boy, his father, and the ghosts that live in the walls of their old family home.
