PASS THE BUTLER is a British drawing room satire, wrapped in a slapstick murder mystery inside a soap opera parody. Sir Robert Charles is the UK’s Minister of Defense and next in line to be Prime Minister. Unfortunately, he’s all but dead, following a massive heart attack and surviving only on life-support machines. Lady Charles wants to put him out of his misery—not to mention save on the ghastly electric bill, which is already overdue. She plans a “switching off ceremony” only for Sir Charles to be murdered when someone else pulls the plug. Fortunately, a police inspector is already in the house pretending to be a journalist. It’s that sort of comedy!
Length: 100-120+ Minutes
A full-length show that runs approximately 100 minutes or longer.
Desdemona’s Child
Desdemona’s child comes back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from their past. In this town, trouble rages, as a climate of hate threatens to overtake all. A flood and a whole lotta honest witnessing may start to turn the tide of human darkness. This play is set in modern-day US, freely inspired by and set in the wake of Shakespeare’s Othello.
The Light and the Dark
Based on the true story of Artemisia Gentileschi, the most successful female artist of her era. At the height of the Italian Renaissance, Artemisia Gentileschi dreams of immortality—of changing humanity’s very image. She wants to become one of the truly great painters; a maestro—and she’s willing to fight to get there. But a series of brutal betrayals forever alters her life and art… kindling a flame that continues to astonish and inspire today.
Written by one of America’s most popular playwrights, THE LIGHT AND THE DARK is a “feminist primal scream”—a bold, deep-thinking examination of art’s ability to transcend trauma, the power of the feminist gaze, and the transformative power of female rage in reshaping societal paradigms.
Goat Blood
Pablo and Owen thought they were in for a simple double date with two women they’d just met at a bar. Instead, under the cover of night, something ancient is watching them. Something hungry.
For Pablo, the darkness hides more than just nerves—it holds a past he’s spent years trying to outrun. When the Chupacabra emerges from the shadows, the night turns to terror, and their evening spirals into a desperate fight for survival. But this is no ordinary monster. It is hunger and grief. It is guilt and memory. It is the thing Pablo has feared facing ever since the night he lost his little brother.
As the creature closes in, the men must confront not just the beast, but their own buried truths—about where they come from, what they want, and what they are willing to do to stay alive. Because sometimes, the most relentless monsters are the ones we carry inside.
Gravity
GRAVITY takes place in the rooms of Isaac Newton at Cambridge University in September, 1693, when Newton went through what subsequent biographers would call a “discomfiture of the mind.” Newton’s tragic past, conflicted sexuality, heretical religious beliefs, and alchemical experimentation had led him to lock himself away in his rooms in an attempt to complete his greatest work. It features Newton’s friend, the philosopher John Locke, and Newton’s nemesis, Dr. Robert Hooke, a brilliant polymath and devoted ladies’ man, whose jealousy of Newton unhinged him from time to time. Finally, the play features the mysterious woman with whom Newton became “embroiled.”
The Late Great Henry Boyle
Henry Boyle is a shy, reclusive Professor of Medieval Studies whose life falls apart when his wife divorces him. At the urging of a colleague who encourages him to try something different, Henry begins drinking absinthe and writes a best-selling book which transforms him into a pop-culture celebrity. As he visibly disintegrates in the public eye, his popularity soars as people anticipate a Van Gogh/Kurt Cobain explosion. Henry finds an ally in a castle-hunting waitress who helps him realize that his only chance at salvation is to become a nonentity again, but how is that possible in a celebrity-crazed culture?
Mothers
Three moms, a stay-at-home dad, and a nanny watch their kids play at Mommy-Baby Meetup. One mom is the queen bee and one is here to shake things up. The dad just wants to fit in, and the nanny doesn’t say a word. When catastrophe comes, the five of them have to figure out how to survive a war and each other. MOTHERS examines the primal heartache of raising children in a disintegrating world.
A Texas Carol
The Dinkel family is headed to Mee-Maw Jane’s East Texas ranch for what might be her last Christmas. The only problem? When the first two grandchildren arrive, they discover that Mee-Maw is already gone! Now how to keep that fact (and her body) from a family on the edge and salvage what remains of Christmas? A TEXAS CAROL is a hysterical and heart-warming take on all things Christmas and all things Texas.
Bridge
Frances, Mary Todd and Janie, intelligent, sociable ladies, learn that Sally, the urbane new “fourth” in their bridge club, is transgender. The revelation prods Frances to address painful memories. Mary Todd, wrestling with moral issues, is challenged by her specially-abled son J-Pat. With wisdom and wit, Janie puts it all in perspective. And J-Pat provides a poignant unexpected insight. The bridge club survives: the three remaining members must search for a “fourth”—again. BRIDGE is a compassionate dramedy, that examines how people react when they encounter the new, the unknown or the misunderstood.
Apostrophe
At a prominent private high school, in the wake of a problematic encounter between a legendary teacher and her star student, what’s “best” for the girls is a matter of debate. One father believes in the healing power of dialogue, while the Headmistress is hell-bent on protecting the vulnerable with silence. Meanwhile, two friends lurch toward adulthood, interrogating the absent, searching for healing, and asking the question: How can we protect ourselves from the people we love?