PLANTATION BLACK is a compelling tale that unfolds through two distinct timelines, delving into the history of the Prioleau family. For nearly two centuries, since 1822, the Loch Dhu Plantation in South Carolina has remained under the ownership of the Prioleau family, comprising both White owners and the Black slaves they once possessed. In the year 2017, the White Prioleau descendants reach out to their Black counterparts in an attempt to resolve the ownership of the land and the distribution entitlements. They all have the same last name and share common biological ancestors. However, their bonds are as deep as the paper claiming half of the Prioleau tree as property.
Length: 100-120+ Minutes
A full-length show that runs approximately 100 minutes or longer.
Nomad Motel
Alix lives in a tiny motel room with her mother and two brothers, scrabbling to make weekly rent. Mason lives comfortably in a grand, empty house while his father runs jobs for the Hong Kong Triad. Until the day his father disappears and Mason has to figure out how to come up with grocery money and dodge Child Services and the INS. Mason and Alex develop the most tentative of friendships, struggling to survive, and trying to outrun the mistakes of their parents. Will they make it out or fall through the cracks? A play about Motel Kids and Parachute Kids raising themselves and living at the poverty line in a land of plenty.
Lot’s Wife
When struggling actor Tom Braddle discovers that his former fiancé has written a new play with a part for him, his hopes for reuniting are dashed by a realization that the play is all too autobiographical. Did Adam have a hand in the tragic death of his wife and child? A dizzying constellation of competing stories and interests swirl around the company and then – Adam disappears on opening night. A thriller, a comedy, a drama – a meditation on the impulse to make sense of tragedy in our lives through the theater.
Ms. Holmes & Ms. Watson – Apt. 2B
An irreverent, darkly comic, modern take on Sir Arthur Conan Doyle’s famous sleuth and sidekick. This fast-paced romp re-examines the world’s most famous detective story with a bold new feminist lens. In this highly theatrical, small-cast escapade, oddball female roommates Sherlock (yes, it’s also a girl’s name—wait, is it a girl’s name? Is it even a name?) Holmes & Joan Watson join forces to emerge from pandemic fog as a deeply codependent, quasi-dysfunctional Odd Couple adventure duo—solving mysteries and kicking butts, until they come face to face with a villain who seems to have all of the answers.
Sanctuary City
In post-9/11 Newark, NJ, two teenagers who were brought to America as children become one another’s sanctuaries from harsh circumstances. When G becomes naturalized, she and B hatch a plan to marry so that he may legally remain in the country and pursue the future he imagines for his life. But as time hurtles on and complications mount, the young friends find that this act challenges and fractures the closest relationship either has ever had.
Romeo and Juliet Walk Into A Bar
A small midwestern college decides to stage Shakespeare’s classic tale of young star-crossed lovers, Romeo and Juliet with an all female cast. Add in a mysterious guest director with dubious credentials and a bizarre show concept, and anything might happen. Can the students rescue the bard from being hijacked? A smart, hilarious, thoroughly contemporary look at what the Bard might mean to us today.
Sensitive Guys
The Men’s Peer Education group at Watson College is dedicated to unpacking and exposing male privilege. These “sensitive guys” believe that through increased self-awareness they can end sexual violence on campus; but when a shocking rumor surfaces, the group is shaken to the core. SENSITIVE GUYS features a cast of women and gender nonconforming actors, double-cast as male and female characters, who try to understand men who are trying to understand masculinity.
The Seagull
Irína Arkádina is a famous—but fading—actress in Russia at the turn of the last century. She and her lover, Boris Trigórin, a well-known author, arrive at her brother Sórin’s country estate for the summer, just as son Konstantín is staging an experimental new play he’s written and directed, starring his girlfriend, Nína. Konstantín wants to find “new forms of theater,” but Arkádina is far more traditional—and not about to let anyone forget that she’s the star in the family. Her snide comments during the performance enrage Konstantín, who stops the show and storms off. In Konstantín’s absence, Nína comes out and is introduced to Trigórin. Nína is soon enthralled by the successful author, which starts a love affair—and the ensuing jealousies and anger—that will eventually ruin lives.
Selling Kabul
Taroon once served as an interpreter for the U.S. military in Afghanistan. Now it is 2013, and the Americans — and their promises of safety — have begun to withdraw. Taroon spends his days in hiding, a target of the increasingly powerful Taliban. On the eve of his son’s birth, he must remain in his sister’s apartment, or risk his life to see his child. With shattering precision, Sylvia Khoury’s tense drama traces the human cost of U.S. immigration policy and the legacy of our longest war.
Glassheart
Beauty never showed up. After centuries under the curse, the Beast and his remaining magical servant (a hopelessly optimistic lamp) move into a shabby Chicago apartment, hoping for a lower cost of living and better luck with girls. In the threatening, impossible, completely ordinary world of paying rent and taking public transportation, is a happy ending even possible? A romantic tragicomedy about facing the witch in your head, and finding the wish in your heart.