Captain James Hook (née Cook), badly maligned by a certain play and despised by generations of Peter Pan fans, finally gets to clear his name. The good Captain, with the aid of his friend Smee, tells his life-story in this family-friendly play, recounting his friendship with and ultimate betrayal by Peter Pan, his romance with Tiger Lily, his familial relationship with the Darling family, and his adoption of a lovable crocodile named Daisy. In narrating his tale, he uncovers the hidden treasure of Neverland, discovers the identity of his long-lost father, and learns the importance of growing up and growing old.
Length: 100-120+ Minutes
A full-length show that runs approximately 100 minutes or longer.
The Hombres
A look at the intimacy of male relationships told through the point of view of Machismo culture, The Hombres follows Julián, a gay Latino yoga teacher, as he clashes with the Latino construction workers working outside his studio, particularly the older head of the crew, Héctor, who seeks from Julián something he never expected.
Howards End
The bohemian Schlegel sisters are two independent women negotiating the seemingly unbridgeable gulfs that class, money, and gender throw in their paths at the dawn of the 20th century. As they chart their course through a rapidly changing London, they encounter the Wilcoxes, who are wealthy capitalists, and the Basts, who struggle to make ends meet. HOWARDS END is a play about three very different families whose lives intertwine in a world speeding towards cataclysm.
Frankenstein
This new, fully faithful stage version of Mary Shelley’s horror classic proves that the novel wasn’t merely ahead of its time, but that it’s as relevant as ever in the 21st century. Opening and closing in the arctic and telling the full story, not only of Victor Frankenstein, Elizabeth, Henry, and his family, but that of The Creature as well, including the exiled Parisian family and their savior, Safie. As the epic story unfolds and Victor and his Creature go to battle, Shelley’s themes — the responsibility of creation, obsession and revenge, love and hate, and, ultimately, devotion and abandonment — emerge, and as The Creature, bit by bit, destroys Victor’s life, we see that the monster knew more about being human, from the beginning to the tragic conclusion, than its human creator ever did.
Good Hair
At a small Catholic school in 2017, Florence has just been banned from all school related activities thanks to her hair, and is forced to decide how she will make her stand. Inventor Annie Malone’s hair products at the turn of the 20th century revolutionized mobility for Black women, but her biggest supporter and critic, Sarah Breedlove, believes they are only scratching the surface of success. In a fantasy universe, a struggling leader decides to make a deal with a demon to battle against a foe that she will never be able to tame—western beauty standards.
Told through three entangled timelines, GOOD HAIR weaves together the lives of women and the central question: Does the cost of beauty outweigh the proof of science?
Ibsen in Chicago
The world premiere of Ibsen’s controversial play Ghosts took place in Chicago, performed by a group of Scandinavian immigrants: a little known fact. Grimm’s play spins a yarn based on this ‘great reckoning in a little room’ and explores the immigrant experience and opportunities for self re-invention against the backdrop of changing artistic and social mores.
In The Upper Room
A play about family secrets, gossip, colorism, voodoo and the magic of the stories we grow up hearing.
Meet the Berrys, a multi-generational Black family living under one roof in the 1970s. Their lives orbit around Rose, a strong-willed matriarch whose superstitions and secrets drive her relatives nuts. Through pointed wit and playful sarcasm, the family elders share fantastical stories about their collective past that call into question the family hierarchy and inspire the youngest generation to take pride in their heritage (and physical appearance). Tender, comedic conversations between tight-knit relatives are interspersed with moments of intense drama that mirror the internal conflicts every family must face at some point.
How To Steal A Picasso
A comic-drama set against the bankruptcy of the Motor City. The Smith family doesn’t agree on much, but when their son Johnny comes home for the first time in four years, they reluctantly reconvene to celebrate the father (a failed painter) winning the Yoko Ono Lifetime Achievement Award for Non-Objective Art. In fact, tonight, Sean (the son of John Lennon and Yoko Ono) is to come to their house and give the father the award personally. But when a Picasso goes missing from the nearby Detroit Institute for the Arts, the family is suspected and Johnny’s homecoming takes a dramatic turn.
A Hit Dog Will Holler
When racism and oppression manifest in a scary, physical form, a social media influencer and a boots-on-the-ground activist form a complex bond of friendship to help each other survive. The play explores the effects of a never-ending barrage of trauma on the women who are continually looked at to lead a movement of resistance and change. What happens when there’s no more outside space for the growing monster that is American racism?
Dracula
When your survival is at stake… will you be able to distinguish the monster from the man? Both terrifying and riotous, Kate Hamill’s imaginative, gender-bending “feminist revenge fantasy” is like no Dracula you’ve ever seen—exploring the nature of predators and reinventing the story as a smart, disquieting, darkly comic drama. Hamill’s signature style and postmodern wit upends this familiar tale of Victorian vampires—driving a stake through the heart of toxic masculinity.