Christopher Robin has just moved into a new neighborhood and he isn’t happy. Despite a neighbor girl knocking on his door and asking him to play, Christopher Robin prefers to stay inside and play with his favorite stuffed animals. To bring him out of his shell, his father A.A. Milne tells him wondrous tales of his beloved toys and their many adventures, hoping that, through them, Christopher Robin will find the courage to make a friend. Adapted from A.A. Milne’s original story, WINNIE-THE-POOH brings your favorite characters to the stage and shows audiences of all ages the importance of friendship.
Length: 75-90 Minutes
A full-length show that runs approximately between 75-90 minutes.
Turning Night in the Dying House
In the waning twilight of his acclaimed career, a Pulitzer Prize-winning playwright grapples with the insatiable nature of desire and his elusive quest for fulfillment. When he meets an idealistic young writer who seeks affirmation from his mentor, they embark on a dangerous exploration of their intertwined fates, where longings yearned for by one are held tightly by the other. Their relationship begins with a meeting that oscillates between provocation and playfulness, laying the groundwork for a dynamic that defies the boundaries of mentorship. As the years pass, their relationship shifts from reverence to rivalry and admiration to aggression, culminating in a haunting reckoning that leaves us questioning whether the pursuit of our desires or the fear of their attainment truly defines and fulfills.
Twelfth Night
Shakespeare’s comedy about the power of love follows twins Viola and Sebastian, who are washed ashore in a strange land after a shipwreck, each thinking the other has perished. Viola disguises herself as a man, to become a servant of the local Duke Orsino. She quickly finds herself in love with this duke, despite being recruited as messenger for his wooing of the countess Olivia. Not only is this wooing unsuccessful, but Olivia falls for the messenger. The subplot involves Olivia’s household revelers, who clash with her stern household steward, Malvolio. The wild knot of misunderstandings is untied at last, once Sebastian arrives on the scene.
Jane Anger
It’s 1606, the plague is raging, and William Shakespeare is very sick… with writer’s block. Unhappily quarantined with his peasant apprentice, the Bard tries in vain to write his next great masterpiece. Up through the window climbs Jane Anger, a Cunning Woman with a massive sack, and a scheme to change history.
Rip Tide
When he was twenty-three, Edgar Oliver found The Pyramid Club in New York City. This long-gone ghost of Avenue A became a home for all artists and outcasts, and the first stage Edgar ever performed on in the city. In the dark recesses of this magic theatre, Edgar found the voice that brought all the sorrow and glory, the solitude and companionship of his early life into the hearts of his audience. The Pyramid Club created the beautiful, heart-broken, and triumphant person he is today.
Bloom
For years the government has sought to eradicate those who love in the way that Roan does. After being taken, imprisoned, and tortured, he is now returned home to his mother, Julia. But the sentence is clear: she has but one hour to end her son’s life or face the consequences for her and her entire family. As the clock inches towards a final decision, the battle for life, truth and understanding is shaken by unexpected revelations that challenge preconceived ideas and the true meaning of unconditional love. Inspired by real events.
Welcome to Paradise
Evelyn contemplates that this solo journey to her Caribbean beach house might be her final one, with old age looming and her children’s interventions on the horizon. Meanwhile, Rory, a seasoned traveler, seeks a welcoming refuge. Accepting Evelyn’s invitation for a brief stay, maybe one or two nights, Rory gradually finds himself feeling increasingly at ease in Evelyn’s home. Surprisingly, Evelyn is delighted to have a pleasant and helpful young companion. As they spend time together, they both discover that their friendship is evolving into something more meaningful than they initially anticipated.
Krapp, 39
A voyeuristic prefiguring of Samuel Beckett’s “Krapp’s Last Tape,” and a hilarious and heart-breaking window on the last moments of youth. Reeling on his 39th birthday, an actor’s obsessive identification with Beckett’s famous character compels him to examine his own quixotic life: his fears, his failures, and his search for (and forfeiture of) love, all in preparation to record a version of the 39-year-old Krapp’s soliloquy to be used in an imagined production of “Krapp’s Last Tape” thirty years in the future.
Blood of the Lamb
A searing drama about bureaucratic chaos in a post-Roe America. After her transcontinental flight is diverted to Dallas, a pregnant woman inexplicably finds herself trapped in a room with a female lawyer who will decide her future. Can Nessa escape this Kafkaesque world of legal precedents and constantly changing laws?
The Antichrist Cometh
THE ANTICHRIST COMETH is a comedy about a happily married man who discovers that he might be the Antichrist. Will he be able to enjoy a small dinner party with his loving wife, former college roommate, and his roommate’s devoutly religious fiancée? Or will their home-cooked meal usher in the Apocalypse?