Set in the legendary Parisian café Les Deux Magots in 1953, LES DEUX NOIRS reimagines the meeting between Native Son author Richard Wright and essayist/activist James Baldwin. It explores the tension between Baldwin’s searing critiques of Native Son and Wright’s unbridled indignation in response—a confrontation between two mighty African-American artists, with echoes of a present-day rap battle.
Genre: Drama
The Great Jheri Curl Debate
Veralynn Jackson knows hair, her neighborhood, and she also knows that the invention of the Jheri Curl marks the end of the world… or at least a career shift. When she takes a job in Mr. Kim’s Korean-owned Black beauty supply store, she’s in her element, until the posters start talking to her. For Mr. Kim, closed off by what he’s left behind to be in the U.S., the last thing he wants is this nosy new employee prodding him to expose old wounds. Their eventual friendship opens a door for each of them to reclaim their lost art.
Fourteen
In the near future, a robot named Laura has joined a high school to see if it can learn as humans do. Two girls, Ruth and Teri, decide that the superiority of computers would make Laura the perfect class president. When Laura helps Madison, the school bully, with her math homework, she adopts Laura as her best (and perhaps only) friend, and joins the campaign. After a disastrous assembly ends their election dreams, Madison learns that loneliness can’t be answered by a machine.
A Hit Dog Will Holler
When racism and oppression manifest in a scary, physical form, a social media influencer and a boots-on-the-ground activist form a complex bond of friendship to help each other survive. The play explores the effects of a never-ending barrage of trauma on the women who are continually looked at to lead a movement of resistance and change. What happens when there’s no more outside space for the growing monster that is American racism?
Dracula
When your survival is at stake… will you be able to distinguish the monster from the man? Both terrifying and riotous, Kate Hamill’s imaginative, gender-bending “feminist revenge fantasy” is like no Dracula you’ve ever seen—exploring the nature of predators and reinventing the story as a smart, disquieting, darkly comic drama. Hamill’s signature style and postmodern wit upends this familiar tale of Victorian vampires—driving a stake through the heart of toxic masculinity.
College Colors
This four character play follows a pair of black and white male roommates entering college in the 1960, juxtaposed with a pair of black and white female roommates in 2016.
Eight Tales of Pedro
EIGHT TALES OF PEDRO begins in 17th century Mexico, as Pedro and his companion travel from a small port town into the fabled Veracruz, telling stories while following Pedro’s one true love. Meanwhile, in the present day, in a van full of Mexican immigrants, Peter crosses a border into an unfamiliar country, while his companions tell him stories to chase away his fears. The two storytellers risk everything as their lives and plots intertwine.
The Far Country
In the wake of the Chinese Exclusion Act, an unlikely family carries invented biographies and poems of longing on an arduous journey from rural Taishan to Angel Island Detention Center, in hopes of landing in San Francisco. Intimate and epic, THE FAR COUNTRY weighs the true cost of selling the past for the hope of a brighter future.
Daniel’s Husband
Daniel and Mitchell are the perfect couple. Perfect house, perfect friends—even a mother who wants them married. They’d have the perfect wedding, too, except that Mitchell doesn’t believe in gay marriage. A turn of events puts their perfect life in jeopardy, and Mitchell is thrust into a future where even his love may not prove to be enough. DANIEL’S HUSBAND is a bold reflection of love, commitment, and family in our perilous new world.
Emma
Emma Woodhouse is clever, educated, and energetic… and in imminent danger of going mad with idleness. In a time when respectable ladies are expected to sit quietly at home, she desperately needs projects—and prides herself on matchmaking, much to the chagrin of her friend Mr. Knightley. But where Emma’s considerable energies focus, screwball comedy follows… A fresh feminist take on a treasured classic, this Emma breaks down convention, expectation, and even the fourth wall with vibrant comic flair—leading audiences “forward, onward, and upward!”