All Shook Up

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Overview

Inspired by and featuring the songs of Elvis Presley. It's 1955, and into a square little town in a square little state rides a guitar-playing roustabout who changes everything and everyone he meets in this hip-swiveling, lip-curling musical fantasy that'll have you jumpin' out of your blue suede shoes with such classics as "Heartbreak Hotel," "Jailhouse Rock," and "Don't Be Cruel."

“You could feel the audience perking up for the jailhouse musical sequence... “ Ben Brantley, New York Times

Synopsis

ACT ONE

Somewhere in the midwest in the 1950's, Chad, a hip-swiveling, guitar-playing roustabout is being released from prison ("Jailhouse Rock"). The warden doesn't appreciate a guy like Chad ridin' into town, playin' his music and excitin' the local women. With a sneer, Chad rides off.

In a nearby dreary little town, Natalie, a young mechanic, is dreaming of love and adventure. She yearns for one true love to take her away, but she doesn't realize that her best friend Dennis has a secret crush on her. Sitting in Sylvia's, the local honky tonk, the whole town sings the blues ("Heartbreak Hotel"). Natalie's widowed father Jim enters and joins in, until they're interrupted by the roar of a motorcycle: it is Chad, riding into town ("Roustabout"). Chad is in need of a mechanic and he's introduced to Natalie, who is instantly smitten ("One Night With You") and promises to fix his bike.

Chad asks about any excitement in town, but he's told that excitement is outlawed under the Mayor's strict rules: no loud music, no indecent behavior. Chad, incensed, promises to breathe some life into this sad, little town and he touches a broken-down jukebox, and it immediately comes to life ("C'mon Everybody"). As Chad and Natalie go off to fix his bike, Mayor Matilda enters with Earl, the sheriff, and her son, Dean. Matilda scolds the citizens for dancing and singing, and then goes off to find the root of this newfound evil. As soon as she exits, Dean meets Lorraine, Sylvia's pretty African-American daughter, and the two share a nervous and flirtatious smile. Meanwhile, Natalie is working on Chad's motorcycle. She tells him of her dreams of the open road, and he tells her that she must follow her heart ("Follow That Dream").

After Chad exits, Natalie, in an attempt to look more girly, puts on the only dress she owns—a tattered old one she uses to clean car engines. Dennis runs into Natalie and he is about to tell her how he feels for her, when Chad enters and interrupts. Ignoring Natalie, Chad asks Dennis to become his sidekick and the overjoyed Dennis accepts. Suddenly, the beautiful and glamorous Sandra appears, and Chad is struck down with a case of hardcore love ("One Night With You"—reprise). Sandra is the owner of the local museum, and she bemoans the lack of culture in this depressing little town. Chad tries to smooth-talk her, but she resists ("Teddy Bear/Hound Dog").

Later that day, at Sylvia's Honky Tonk, Jim and Sylvia speak about the strange, lascivious behavior that seems to have befallen the town since Chad's arrival. Natalie enters in her greasy dress, and Lorraine has her change into one of her dresses—it is clean and cute and Natalie looks lovely. She rushes off in pursuit of Chad. Both Sylvia and Jim agree that at a certain point in life, it's better to be alone, when Sandra enters and Jim instantly falls for her ("One Night With You"—reprise). Too nervous to speak to such a vision of beauty, he rushes out.

Dean enters to tell Lorraine that he thinks she's beautiful. Lorraine, thrilled, begins to teach him to dance ("That's All Right"). Sylvia interrupts and insists that it's NOT all right for them to be together, and Dean rushes out. Dean meets Matilda at the bus stop, and she tells him that she's sending him back to military school on the next bus. Lorraine enters, and Dean tells her the terrible news—they're about to be separated. Hopelessly in love, Dean and Lorraine decide to run off together ("It's Now Or Never").

Both Jim and Chad follow Sandra, but she will have nothing to do with either of them. Dennis meets Natalie on the street and shows off his new hunting cap, which makes him feel like "one of the guys." Natalie has a sudden inspiration and she grabs Dennis' hunting cap. Alone in the garage, she dresses like a leather-jacketed male roustabout ("Love Me Tender").

As Chad bemoans Sandra's lack of attraction to him, Dennis comes up with an idea. He volunteers to take her a Shakespearean sonnet. Desperate, Chad agrees. But before Dennis leaves, a leather-jacked roustabout rides into town ("Blue Suede Shoes"). It is Natalie, dressed as a fellah named Ed. Chad is excited by Ed's coolness and manliness and he asks Ed to be his new sidekick. Heartbroken, Dennis exits. Chad instructs Ed that his first job as his new sidekick is to give the sonnet to Miss Sandra. Jim enters, and Ed grabs the sonnet and rushes off.

Jim tells Chad that he's in love with a woman who doesn't love him back. Chad looks over the slovenly Jim, and tells him that in order to win a girl, Jim must dress and act more like Chad. Chad gives Jim a much-needed lesson in coolness ("Don't Be Cruel"). Ed arrives at the museum and gives Sandra the sonnet. Sandra is so moved by the sonnet that she finds herself drawn to this strange-looking young man ("One Night With You"—reprise). Ed tries to leave, but Sandra is intent on seducing him ("Let Yourself Go").

As the sun goes down, Mayor Matilda is cracking down on the perceived immoral behavior that is now running rampant through the town. She comes upon a necking couple, and she's stunned to see that it's her precious Dean kissing Lorraine. Dean, for the first time, disobeys his mother and shows her that he can now dance. He and Lorraine run off into the night. Matilda promises to throw Chad in jail for what he has done, and she and Sheriff Earl drive after Dean. Ed tells Chad that in order to avoid jail, he should hide in the abandoned fairgrounds just outside of town. Chad runs off, and Ed runs off after him. Jim, now dressed like Chad, enters and asks Sylvia if she's seen Sandra. Sylvia tells Jim that he's crazy to fall for a woman like that, and Jim admonishes Sylvia for having grown cold and bitter. Jim gives Sylvia a very surprising kiss, and a stunned Sylvia suddenly falls for him. Soon, everyone in town find themselves escaping to the fairgrounds, searching for someone to love ("Can't Help Falling In Love").

ACT TWO

In the midst of the abandoned fairgrounds, the citizens of the town are restless and randy ("All Shook Up"). Dennis comes upon Natalie, who's still dressed as Ed, and Dennis reveals that he's upset about the way Chad treats her ("It Hurts Me"). Natalie insists that Chad is the only guy for her.

In an attempt to win Chad, Natalie gets an idea—she convinces Chad to teach her (i.e. Ed) how to seduce a woman ("A Little Less Conversation") but in the process, Ed winds up kissing Chad. Chad is stunned and Ed runs off as Jim enters. Chad reaffirms his machismo ("Power Of My Love") when Jim and Chad suddenly realize they are both in love with the same woman. Sandra enters, lustfully looking for Ed. Jim confesses his love for Sandra, but she doesn't even remember meeting him. As the heartbroken Jim slinks off, Ed enters, and he insists that Sandra leave them alone. Sandra, still hot for Ed, relents and promises to find him later. Left alone, Chad is about to hit Ed, but he realizes that he can't. Ed gives Chad some "alone time", and Chad realizes that he has feelings for his new sidekick ("I Don't Want To").

In another part of the fairgrounds, Mayor Matilda enters, followed, as always, by the silent Sheriff Earl, and she vows to bring the roustabout down ("Devil In Disguise").

A heartbroken Jim wanders about and runs into Sylvia, who is wearing her best Sunday dress. He wonders what she's doing out there this time of night, and she confesses her newfound feelings for him ("There's Always Me"). Jim can't handle this revelation, and he rushes off.

In another part of the grounds, Dean and Lorraine plan to catch the morning train out of town, but Chad convinces them to stay and fight for their love ("If I Can Dream").

In the center of the fairgrounds, Matilda gathers the townspeople together to form a pious posse to both find her son and arrest Chad. But Chad enters, as does Dean and Lorraine—and the final confrontation begins…

Will true love prevail? ("Fools Fall In Love") Will the power of music win the day? Will this small town in the Midwest survive getting all shook up? These questions and more are answered as the characters come together for the finale ("Burning Love").

Author's Notes

An Interview with JOE DIPIETRO

Describe the process of writing ALL SHOOK UP

The process involved hearing these songs in a different way. Elvis sang them so distinctly and so brilliantly that we didn't want an Elvis imitator up there. We wanted to put the songs in a new story and have them heard in a different way. When you have all these disparate songs, you need a concept to hang your hat on; when I came up with the idea of the Shakespeare comedies, that's when I was really able to write the show.

Talk about the Shakespeare Connection.

The bottom line with Elvis's music is that it makes a lot of people very happy, even 50 years after it was recorded. And I thought, what other type of entertainment form does that? And that's when I came up with the Shakespeare comedies, which are very much about love and finding your joy, marriage, passion and all the good stuff of life. That combination was, I thought, potent and a lot of fun.

Like Shakespeare's characters, it seems that the characters in ALL SHOOK UP don't—or can't—hide their emotions.

One reason I think Elvis's work has endured and still touches people so strongly is that he sang with such passion. You really felt all of the joy and all of the heartache in these songs. Listen to the lyrics of "All Shook Up." It's really about needing someone so much they rock you to your soul.

Why did you choose 1955 as the time for ALL SHOOK UP? Was it just because Elvis was starting to hit it big, or was it because of the social changes were occurring in the United States, including the beginning of the end of segregation with Brown vs. Topeka Board of Education in 1954?

Elvis was a white guy singing rhythm and blues music for the first time, which really helped R&B cross over to the mainstream, or to white America, I should say. Elvis took rhythm and blues music and really helped to popularize it, and I thought we really needed to stay true to where that music came from, which is obviously the African American community, especially in the South. So that's very much why it takes place then. In ALL SHOOK UP, this music unleashes the uptightness of these people in small town America and certainly applies to inter-racial dating and same-sex dating. It's all about loving someone no matter who they are. That's what the show's about.

What advice would you give to young people interested in becoming a writer for the theatre?

See as many shows as they can, and read as many plays as they can. When you're young you really have the time to read and see things, and form your own opinions about what you enjoy and what you don't enjoy. When you're young and growing up, don't let other people's opinions affect you. Read a play and see a show, and trust your own opinions, and I think that will inform your writing.

Author Info

Joe DiPietro(Book)

JOE DIPIETRO won Tony Awards for Best Book and Best Score for MEMPHIS, which was also awarded the 2010 Tony Award, Drama Desk Award and Outer Critics Circle Award for Best Musical. His other shows include ALL SHOOK UP; I LOVE YOU, YOU'RE PERFECT, NOW CHANGE (the longest-running revue in Off-Broadway history: THE TOXIC AVENGER and THE THING ABOUT MEN (both winners of the Outer Critics Circle Award for Best Off-Broadway musical) and FALLING FOR EVE. His plays include the much produced comedy OVER THE RIVER AND THROUGH THE WOODS, THE ART OF MURDER (Edgar Award, Best Mystery Play), CREATING CLAIRE and THE LAST ROMANCE.  He lives in Manhattan with his pug, Rocco.

Billing Credits

ALL SHOOK UP
Inspired by and featuring the songs of ELVIS PRESLEY ®
Book by JOE DIPIETRO
Originally Produced on Broadway by Jonathan Pollard, Bernie Kukoff, Clear Channel Entertainment, Harbor Entertainment, Miramax Films, Bob & Harvey Weinstein,
Stanley Buchthal, Eric Falkenstein, Nina Essman/Nancy Nagel Gibbs, Jean Cheever, Margaret Cotter, in association with Barney Rosenzweig, Meri Krassner,
FGRW Investments, Karen Jason, Phil Ciasullo Conard.  Originally produced for Goodspeed Musicals, Michael P. Price, Executive Producer, Sue Frost, Associate Producer.

Casting Information

NATALIE HALLER (Early 20's): a mechanic.

CHAD: a great-lookin', motorcycling, guitar-playing, leather-jacketed roustabout.

JIM HALLER (mid 40's-50's): Natalie's widowed father.

SYLVIA (mid 40's): the no-nonsense, African-American owner of SYLVIA'S HONKY-TONK.

LORRAINE: Sylvia's 16 year-old daughter.

DENNIS: a young, awkward, aspiring dentist.

MISS SANDRA: the beautiful, intellectual caretaker of the town's museum.

MAYOR MATILDA HYDE (mid 40's-50's): the town's conservative mayor.

DEAN HYDE: Matilda's 16 year-old son. He has grown up at a military boarding school.

SHERIFF EARL (mid 40's-50's): the law in town. A man of not many words.

CHORUS

Orchestral Info

(12 Musicians)

Piano/Conductor
Reed 1 (Flute, Alto Sax)
Reed 2 (Clarinet, Tenor Sax)
Reed 3 (Bass Clarinet, Baritone Sax)
Trumpet 1 (Trumpet, Flugel)
Trumpet 2 (Trumpet, Flugel)
Trombone
Guitar 1 (Electric, Telecaster)
Guitar 2 (Acoustic, Electric)
Piano/Conductor
Keyboard 2
Bass (Acoustic, Electric)
Drums

Acts

Two

Resources


KJK Productions 

DC Theatricks has added ALL SHOOK UP to their rental inventory
Dave Dejac, info@costume.com
747 Main Street
Buffalo, NY 14203
Phone: (716)847-0180

All Shook Up props for rent from Prop Rentals NY

PropRentalsNY.Com
Phone: 1-516-459-0106
john@avancy.net

ALL SHOOK UP PROPS LIST

Act 1

3 notes (I-1)
*Bar glasses, beers, alcohol (I-4)
Letter (I-4)
Motorcycle (I-11)
Guitar (I-11)
Glove (I-19)
Crumpled-up, grease-stained dress (I-21)
Slip of paper (I-25)
Bicycle (I-44)
Suitcase (I-47)
Book (I-48)
Can of oil (filled with oil) (I-50)
Shakespearean sonnet on a piece of paper (I-55)
Blue suede shoes (I-58)
Duster (I-61)
Bullhorn (I-66)
Pink Convertible (I-66)

Act 2

Flashlight (II-2)
A red guitar (II-22)
An electric guitar (II-24)
Handcuffs (II-35)
Basket with rose petals (II-45)
*3 bouquets for the brides (II-45)

*Optional

If you would like to add to this list, e-mail licensing@theatricalrights.com

Show|Ready™ and Stage|Tracks™ provided by ROCS (Right on Cue Services) are now available for ALL SHOOK UP. 


With Show|Ready™, you can virtually send your Musical Director home with each and every member of your cast!  Show|Ready allows you to play a customizable rehearsal track of your show, complete with individual vocal parts and all dance breaks on a Mac, PC, and soon on your iOS device. Your Musical Director simply uploads any edits made at that day’s rehearsal and your cast can access and download the newest version with all of the new changes. This enables your entire cast to rehearse correctly from the beginning, saving you valuable time and effort. 


With an intuitive interface, Show|Ready gives you complete control over which parts you hear, and lets you modify the key or tempo and cut, vamp, or repeat measures as you please. All shows include the piano, bass, drum, all vocal parts, and click track as well as a sheet music viewer that automatically displays the piano/conductor score and changes the page as you listen and navigate throughout the show. 

http://www.trwmusicals.com/showlready%E2%84%A2.php

Stage|Tracks™ provides quality performance tracks, edited to integrate your individual changes from Show|Ready. With the best sounding tracks at an affordable price, Stage|Tracks will greatly enhance your production if you do not have live musicians to accompany the show. However, you should be advised that while Stage|Tracks provides quality performance tracks of the full orchestration, it is not recommended to be used alongside live musicians.  Stage|Tracks is only for performance and is sent approximately 3-4 weeks prior to the opening date of your production. Stage|Tracks is currently only available on an iOS device, with Mac and PC coming soon.  

Listen to a StageTracks demo from ALL SHOOK UP herehttp://www.rightoncueservices.com/mp3/all_shook_up_demo.mp3 

For pricing information and to order Show|Ready™ or Stage|Tracks™ please call: 646-736-3232 or email: licensing@theatricalrights.com


For the Show|Ready™ & Stage|Tracks™ apps, visit the iTunes Store here: 

https://itunes.apple.com/us/artist/right-on-cue-services-llc/id543773969  

**A valid license of Show|Ready™ and Stage|Tracks™ must be purchased first before you can use the mobile apps.**

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